TIL – A (2) TIL - A 2. DENEME SINAVI İsim Soyisim E-Posta Telefon Q. 1Literary genresThe notion of genre immediately raises several questions : fortunately, some of these vanish once we have formulated them explicitly. The first question is: are we entitled to discuss a genre without having studied (or at least read) all the works which constitute it? But one of the fist characteristics of scientific method is that it does not require us to observe every instance of a phenomenon in order to describe it; scientific method proceeds rather by deduction. We actually deal with a relatively limited number of cases, from them we deduce a general hypothesis, and we verify this hypothesis by other cases, correcting (or rejecting) it as need be. Whatever the number of phenomena (of literary works, in this case) studied, we are never justified in extrapolating universal laws from them; it is not the quantity of observations, but the logical coherence of a theory that finally matters. The level of generality on which a genre is to be located raises a second question. Are there only a few genres (i.e., lyric, epic, dramatic), or many more? Are genres finite in number or infinite? A third problem is a matter of aesthetics. We are told that it is pointless to speak of genres (tragedy, comedy, etc.), for the work of art is essentially unique, valuable because of what is original about it that distinguishes it from all other works, and not because of whatever in it may resemble them. Such a position is not, strictly speaking, false; it is simply inappropriate. We may certainly like a work for one reason or another; this is not what defines it as an object of study. The motive of an intellectual activity need not dictate the form which that activity ultimately assumes. The concept of genre (or species) is borrowed from the natural sciences. Now there is a qualitative difference as to the meanings of the terms “genre” and “specimen,” depending on whether they are applied to natural beings or to works of the mind. In the former case, the appearance of a new example does not necessarily modify the characteristics of the species; consequently, the properties of the new example are for the most part entirely deducible from the pattern of the species. Being familiar with the species tiger, we can deduce from it the properties of each individual tiger; the birth of a new tiger does not modify the species in its definition. The impact of individual organisms on the evolution of the species is so slow that we can discount it in practice. Similarly in the case of linguistic utterances (though to a lesser degree): an individual sentence does not modify the grammar of the language, and the grammar must permit us to deduce the properties of the sentence. The same is not the case of the realm of art or of science. Here evolution operates with an altogether different rhythm: every work modifies the sum of possible works, each new example alters the species. We might say that in art we are dealing with a language of which every utterance is agrammatical at the moment of its performance. More exactly, we grant a text the right to figure in the history of literature or of science only to the extent that it produces a change in our previous notion of the one activity or the other. Texts that do not fulfil this condition automatically pass into another category: that of so-called “popular” or “mass” literature in the one case; in the other, that of the academic exercise. To return to our subject, only “popular” literature (detective stories, serialized novels, science fiction etc.) would approach fulfilling the requirements of genre in the sense that would be inapplicable to strictly literary texts. Such a position obliges us to make our own theoretical assumptions explicit. Dealing with any text belonging to “literature”, we must take into account a double requirement. First, we must be aware that it manifests properties that it shares with all literary texts, or with texts belonging to one of the sub-groups of literature (which we call, precisely, genres). It is inconceivable, nowadays, to defend the thesis that everything in the work is individual, a brand-new product of personal inspiration, a creation with no relation to works of the past. Second, we must understand thata text is not only the product of a pre-existing combinatorial system (constituted by all that has virtual literary properties); it is also a transformation of that system. We can already say, then, that every literary study must participate in a double movement: from the particular work to literature generally (or genre), and from literature generally (from genre) to the particular work. To grant a temporary privilege to one direction or the other – to difference or to resemblance – is a perfectly legitimate transaction. Why then raise these outdated problems? Gérard Genette has answered perfectly: “Literary discourse is produced and developed according to structures it can transgress only because it finds them, even today, in the field of its language and style”. For there to be a transgression, the norm must be apparent. Moreover, it is doubtful that contemporary literature is entirely exempt from generic distinctions; it is only that these distinctions no longer correspond to the notions handed down from the literary theories of the past. We are of course not obliged to keep to these notions now; indeed there is a growing necessity to elaborate abstract categories that could be applied to contemporary work. More generally, failing to recognise the existence of genres is equivalent to claiming that a literary work does not have any relationship to already existing works. Genres are precisely those intermediaries by which the work assumes a relation with the universe of literature.What does the author mean by “genre”? Deselect Answer The theoretical foundations of an artistic discipline The collection of artistic features of a work The combinatorial system of the artistic techniques of a work The language and style specifics of a work One of the possible subcategories of artwork Q. 2The author is in favour of keeping the notion of literary genre? (see text)Deselect Answer No No, unless one adopts the categories to contemporary works No, except for ancient works Yes, but only for scientific works Yes Q. 3The scientific method, used to defined the features of a genre: (see text)Deselect Answer implies a theory’s logical coherence, based on successive corrections of the initial assumption implies a general theory‘s coherence, based on reading all the works of one genre implies the formulation of a general theory, based on the characteristic features of a writer’s works is partial, because no general theory may be deduced from particular notions implies the formulation of a theory by an inductive process from the universal to the particular Q. 4It is useful to try to define the characteristics of a genre to which a work belongs? (see text)Deselect Answer No, a work is a work precisely because of its specific uniqueness Yes, because a work does not find structures defined in its own field Yes, because due to the existence of genre characteristics a work can infringe the characteristics themselves No, because genres manifest themselves in various ways, which cannot be defined with precision Yes, because the features of a genre serve to clarify one author’s style Q. 5Which one of the following actors did not play James Bond?Deselect Answer Daniel Craig Pierce Brosman Colin Firth Sean Connery Roger Mooere Q. 6Which fruit is associated with Isaac Newton?Deselect Answer Apple Pear Pineapple Banana Cherry Q. 7Which one of the following scientists is known for his contributions to the science of evolution?Deselect Answer Marie Curie Thomas Edison Stephen Hawking Charles Darwin Nicola Tesla Q. 8In which city did Diana, Princess of Wales, died?Deselect Answer London Edinburgh New York City Paris Amsterdam Q. 9Find out which of the figure (a), (b), (c), (d) can be formed from the pieces given in fig. (X)Deselect Answer 1 2 3 4 None Q. 10On a volcanic island, scientists plan to install sensors to monitor ground motions and predict volcanic activity. The outline of the island is shown below. The shaded area in the middle is the volcano.A sensor cannot be installed on the volcano itself but can be installed on any one of the other squares. Each sensor takes measurements from the square on which it is installed and the surrounding squares. See an example below.What is the minimum number of sensors that need to be installed to take measurements of the entire area of the island (excluding the volcano)?Deselect Answer 6 10 16 20 22 Q. 11What is the numbers of Cubes in the above figure?Deselect Answer 26 28 36 40 42 Q. 12Paper in the shape A paper is folded two times and four holes are cut as given above. When unfolded which one of the above shapes will be the appearance?Deselect Answer 1 2 3 4 None Q. 13A $ B means A is the father of B; A # B means A is the sister of B; A * B means A is the daughter of B and A @ B means A is the brother of B. Which of the following indicates that M is the wife of Q?Deselect Answer Q $ R # T @ M Q $ R @ T # M Q $ R * T # M Q $ R @ T * M Q $ T # T @ M Q. 14A man starts from a point, walks 5 km towards East, turns right and walks 3 km, turns right again and walks. What is the direction he is facing now?Deselect Answer North South West East South-west Q. 15Pre Islamic Arabian society can BEST be described asDeselect Answer Urban Sedentary Nomadic Cosmopolitan Civilized Q. 16One way that Buddhism differed from Hinduism wasDeselect Answer The belief that multiple lifetimes were needed to accomplish its religious goal Buddhism originated in a different region than Hinduism a belief in the equality of all followers material possessions were important in the quest for happiness they believe in more than one god Q. 17The Unification of Italy happened?Deselect Answer 1848 – 1869. 1848 – 1871 1848 – 1873. 1848 – 1875. 1848 - 1877 Q. 18Who was the revolutionary behind the Unification of Italy?Deselect Answer Guiseppe Garibaldi. Victor Emmanuel II. Felice Orsini. Victor Emmanuel III. Guiseppe Donizetti Q. 19What was the policy used by Bismark during the Unification of Germany?Deselect Answer Blood and Iron. Blood and Sweat. Iron and Steel. Patriotism and Blood. Iron and Metal Q. 20What was the immediate cause of the beginning of the First World War?Deselect Answer The murder of William I. The murder of Archduke Ferdinand. The murder of Victor Emmanuel II. The murder of William II. The murder of Charles I Q. 21When was the start of the Russian Revolution?Deselect Answer 1919 1918 1915 1916 1917 Q. 22When did they dissolve the U.S.S.R. or the Soviet Union?Deselect Answer December 25, 1993 December 24, 1990 December 25, 1991 December 24, 1991 December 25, 1992 Q. 23Who was the first sailor who discovered India through the seaway?Deselect Answer Vasco de Gama Ferdinand Magellan Christopher Columbus Marco Polo Amerigo Vespucci Q. 24The Reformation Movement was started by whom?Deselect Answer King Henry VIII Martin Luther John Calvin William Tyndale. Leonardo da Vinci Q. 25What is the Magna Carta or the Great Charter of 1215?Deselect Answer It was the Charter to increase the power of the king Foundation of ending the tax system in England The foundation of Rights and Liberties of English people It was the setting stone for the king to rule over the Pope It was the abolishment of slavery in Europe Q. 26Who is known as the father of History?Deselect Answer Sophocles Homer Aisopos Aristophanes Herodotus Q. 27The metric survey image below corresponds to a specific model. Which one?Deselect Answer A point cloud digital model An axonometric digital model A plastic model A wooden model A perspective wireframe digital model Q. 28Match the plants in the figure with their use.Deselect Answer 1-Hotel, 2-Commercial spaces, 3-Offices, 4-Home 1-Commercial spaces, 2-Offices, 3-Hotel, 4-Home 1-Home, 2-Hotel, 3-Commercial spaces, 4-Offices 1-Home, 2-Offices, 3-Commercial spaces, 4-Hotel 1-Home, 2-Commercial spaces, 3-Offices, 4-Hotel Q. 29Consider the layout of the Territorial Regional Chart (scale 1:5000) in which contour lines have a distance of 5 meters from one another. What is the difference in height between points A and B?Deselect Answer 30m 48m 60m 120m 24m Q. 30Find the right match of plan and axonometric view.Deselect Answer A-2, B-3, C-1 A-2, B-1, C-3 A-3, B-2, C-1 A-1, B-2, C-3 No matching possibile Q. 31Consider the building represented in monometric axonometric. Which is the right direction of the light projecting the shadow in figure?Deselect Answer From right to left, with angle between light and ground > 45° From left to right, with angle between light and ground < 45° From left to right, with angle between light and ground > 45° From bottom to top, with angle between light and ground < 45° From bottom to top, with angle between light and ground > 45° Q. 32Given a plane a and α line r perpendicular to α, we know that:Deselect Answer r is orthogonal to every line lying on α r is perpendicular only to two lines lying on α r is perpendicular only to one line lying on α r is not perpendicular to any line lying on α r intersects every line lying on α Q. 33The graph of f(x)=10+x² is shown below. What is the area of triangle ABC if OA= AB ?Deselect Answer 80 20 57 78 30 Q. 34Consider a pyramid with a square base side of 6 cm and with a height of 12 cm, as shown below. If we cut off the top of the pyramid parallel to the base 3 cm from the tip, what is the volume of the remaining solid?Deselect Answer 141.75 140 135.48 144 130 Q. 35Deselect Answer A B C D E Q. 36Deselect Answer A B C D E Q. 37A massless rod is supported at point P as shown above. A block weighing 40 newtons is attached to rod o.2 meter from P. How far from P must block weighing 80 newtons be attached in order to balance the rod?Deselect Answer 0.1 m 0.2 m 0.4 m 0.5 m 0.8 m Q. 38Deselect Answer A B C D E Q. 39A block of mass M slides down a plane inclined at an angle of 30⁰ to the horizontal as shown above. Which of the following of the three forces acting on the block in any real situation?Deselect Answer A B C D E Q. 40An object with mass m and speed V₀ directed to the rigth strikes a wall and rebounds with speed V₀ directed to the left.The change in the object's kinetic energy isDeselect Answer A B C D E 1 out of 1 Ocak 16, 2023/tarafından Burak https://www.truewayist.com/wp-content/uploads/2020/11/Truewayist-logo-ingilizce-yurt-disi-egitim-danismanligi-yabanci-dil-ispanyolca.png 0 0 Burak https://www.truewayist.com/wp-content/uploads/2020/11/Truewayist-logo-ingilizce-yurt-disi-egitim-danismanligi-yabanci-dil-ispanyolca.png Burak2023-01-16 08:36:472023-01-18 09:57:02TIL – A (2)